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In that film, Raimi listened to his bosses as he does here, and dutifully loaded up the overcomplicated plot with a surfeit of studio-required villains - but he did so while indulging his goofier side by turning Peter Parker into a pompous tool, grooving down a Manhattan sidewalk. Raimi's last Marvel movie - Spider-Man 3 - is controversial among Marvel fans, and slightly less so among Raimi fans. The callbacks that work best aren't Marvel callbacks, they're Raimi callbacks: zombies, ghouls, a brief tracking shot from the baddie's perspective. As you watch it, you can't help but imagine that you're only viewing it through a gauzy scrim of hastily issued, last-minute studio notes and frantically dashed-off memos.īut Raimi spent his early career making shambling, goofy, profoundly messy movies, and whenever Doctor Strange in the Multiverse of Madness leans into his horror roots (which it does often the film pushes hard against its PG-13 rating), the film manages to attain a clear, if idiosyncratic, point-of-view.

So, yes, Doctor Strange in the Multiverse of Madness is a mess. Movies Bad Bunny will be the first Latino to lead a live-action Marvel movie

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